"Of the old things?" Fleda had selected a third-class compartment: she stood a moment looking into it and at a fat woman with a basket who had already taken possession. "Always?" she said, turning again to her companion. "Never!" she exclaimed. She got into the carriage, and two men with bags and boxes immediately followed, blocking up door and window so long that when she was able to look out again Mrs. Gereth had gone. Fleda, to postpone answering, looked round, while she drank it, at the beautiful room. "I don't in the least like, you know, your having taken so much. It was a great shock to me, on my arrival here, to find you had done so."!

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "That was why his father, whom he exactly resembles, needed me. And I didn't fail his father," said Mrs. Gereth. She gave Fleda a moment to appreciate the remark; after which she pursued: "Mona Brigstock isn't weak; she's stronger than you!"

The girl would have been struck with the levity of this had she not already, in an hour, felt the extent of the change suddenly wrought in her commerce with her friend—wrought above all, to that friend's view, in her relation to the great issue. The effect of what had followed Owen's visit was to make that relation the very key of the crisis. Pressed upon her, goodness knew, the crisis had been, but it now seemed to put forth big, encircling arms—arms that squeezed till they hurt and she must cry out. It was as if everything at Ricks had been poured into a common receptacle, a public ferment of emotion and zeal, out of which it was ladled up to be tasted and talked about; everything at least but the one little treasure of knowledge that she kept back. She ought to have liked this, she reflected, because it meant sympathy, meant a closer union with the source of so much in her life that had been beautiful and renovating; but there were fine instincts in her that stood off. She had had—and it was not merely at this time—to recognize that there were things for which Mrs. Gereth's flair was not so happy as for bargains and "marks." It wouldn't be happy now as to the best action on the knowledge she had just gained; yet as from this moment they were still more intimately together, so a person deeply in her debt would simply have to stand and meet what was to come. There were ways in which she could sharply incommode such a person, and not only with the best conscience in the world, but with a sort of brutality of good intentions. One of the straightest of these strokes, Fleda saw, would be the dance of delight over the mystery Mrs. Gereth had laid bare—the loud, lawful, tactless joy of the explorer leaping upon the strand. Like any other lucky discoverer, she would take possession of the fortunate island. She was nothing if not practical: almost the only thing she took account of in her young friend's soft secret was the excellent use she could make of it—a use so much to her taste that she refused to feel a hindrance in the quality of the material. Fleda put into Mrs. Gereth's answer to her question a good deal more meaning than it would have occurred to her a few hours before that she was prepared to put, but she had on the spot a foreboding that even so broad a hint would live to be bettered. Mrs. Gereth, holding her mantle together, appeared for a while to consider. In the place at the corner, on the chance of its saving time, Fleda wrote her telegram—wrote it in silence under Mrs. Gereth's eye and then in silence handed it to her. "I send this to Waterbath, on the possibility of your being there, to ask you to come to me." Mrs. Gereth held it a moment, read it more than once; then keeping it, and with her eyes on her companion, seemed to consider. There was the dawn of a kindness in her look; Fleda perceived in it, as if as the reward of complete submission, a slight relaxation of her rigor.